New blood joins this earth
And quickly he's subdued
Through constant pained disgrace
The young boy learns their rules
As I am typing this post I'm watching Sherlock Holmes for the third time and I have no choice but to fulfill my promise. Ok as usual I'm going to warn you off spoilers. I'm not going to bother hiding anything so if you don't want spoilers please don't read.
Well, it turned out so much better than I expected from the trailers. When I first saw the trailer I was like great another Hollywood screw-up. How glad I was when I was proven wrong (though Hollywood was still written all over it). I mean it was had Sherlock Holmes written all over it with a modern twist to keep it exciting.
With time the child draws in
This whipping boy done wrong
Deprived of all his thoughts
The young man struggles on and on he's known
A vow unto his own
That never from this day
His will they'll take away-eay
The first time I watched Sherlock Holmes, I knew very very little of the books. Just the basic that any bookworm should know. So I went through it like yea, not bad. But when I watched it the second time after reading at least half of Sir Arthur's works; watched the brilliant Jeremy Brett at work and I knew exactly what to expect from Sherlock and still it didn't disappoint. I loved how RDJ used Sherlock's quotes and twist its meaning to make it hilarious for all fans.
That I've felt
What I've known
Never shined through in what I've shown
Never be
Never see
Won't see what might have been
So anyone who knows me well enough would know that the simplest way to get me hooked on any show is to give me all the bromance I desire. Haha Holmes and Watson are easily the Adam and Eve of Bromance. This pair must have really worked for me cause I don't feel like pairing them up together. They are awesome and their on-screen chemistry just hit the roof. Even in interviews RDJ and Jude couldn't keep thier hands off each other (in a total bromantic way). Haha who said only men enjoyed a good bromance every now and then.
What I've felt
What I've known
Never shined through in what I've shown
Never free
Never me
So I dub thee UNFORGIVEN
Jude Law. OMG He is so HOT!!! Even with the mustache he still was so handsome. I mean even I always imagined Watson to be some slightly brainless, overweight fellow following Holmes around. I never imagined that that interpretion of Watson to be wrong all along. Jude is exactly how Watson should be. He made sure that Watson got his due. I mean Holmes would never lower his standards to hang around with an idiot. Watson had his good points and bad points. He was a perfect compliment of Holmes. Most of things that Holmes didn't bother to learn about, he knew pretty well. That was Doctor Watson not a bumbling fool who was there for comic relief or to make Sherlock look brilliant.
They dedicate their lives
To RUNNING all of his
He tries to please THEM all
This bitter man he is
RDJ. What can I say? For some reason I never liked him before. Until now I don't know why and I feel so silly for ever thinking so. RDJ is a wonderful actor. I mean I've just watched Ironman and Tropic Thunder and I'm like O_O. RDJ's Sherlock is definitely unique in it's own way. I'm just glad they mentioned the cocaine in the movie (a small hint but still). I feel that the drugs were Holmes' fatal flaw and people tend to ignore it to make him more 'heroic'. Unlike many other Holmes, RDJ's Sherlock was human. They portrayed him as a different individual but still very human, flaws and all. A lot of fans doesn't seem to like that the movie concentrated so much on Sherlock's flaws but... I don't know... it just made it easier to relate to him I guess and while Watson's quote 'You're not human.' might relate to other Sherlock's, it just doesn't seem to apply to RDJ's Sherlock.
Throughout his life the same
He's battled constantly
This fight he cannot win
A tired man they see no longer cares
The old man then prepares
To die regretfully
That old man here is me
Lord Blackwood...hmn... good villian but not great. I found that giving him a 'pitiable' past did not really make him a better villian but rather more cliched. Thank heavens they did not dwell on that. I'm just glad that they didn't decide to put magic in the movie. Halfway through it I actually believed they were going to and was sorely dissappointed. Thank God I was wrong. Heard a rumour that Brad Pitt was going to play Moriaty. Heavens no! Moriaty is supposed to be pretty old, at least compared to Sherlock. We don't need a pretty boy playing him.
What I've felt
What I've known
Never shined through in what I've shown
Never be
Never see
Won't see what might have been
Irene Adler. Well I hated her and the role she played. I know this is Hollywood and all that but seriously a love interest for Sherlock Holmes? No way! I mean fine, there was no way they were going to make Sherlock asexual but come on, making out with Irene. That is out of the question. This is supposed to be the only woman who has ever intellectually beaten Sherlock but I really don't see much brains on her, at least not enough to satisfy. they made her into a criminal as well. Somehow that was to be expected and it really didn't bug me much but I found her pretty useless throughout the story. I'm glad Holmes left her on the bridge but we all know she is going to be back and I don't think I can stand anymore love-struck Holmes. Mary Morstan played her small role rather well. They showed her exactly to be the strong (and not over-bearing) woman she was described as in the books. No complaints about her. I eally wouldn't mind seeing more of her in future movies. (Good lord. Please don't let the writers kill either of these women off so that either lover will be extremely emo/swear revenge/or whatever other cliche)
What I've felt
What I've known
Never shined through in what I've shown
Never free
Never me
So I dub thee UNFORGIVEN
Jeremy Brett, the best Sherlock Holmes ever (I'm sorry RDJ). I do love RDJ's Sherlock but Jeremy is the most classic and faithful to the books. I wasn't joking when I said this man inspired me in strange ways. I can't put it into words; nor can I pinpoint exactly what did he inspire but he did. Never had I felt so strongly a strange admiration for a person's life story before. I mean in all honesty there is truly nothing spectacular and yet... Maybe it's because this man is bi-polar. I freely admit, I'm pretty hypochondriac-like when it comes to mental-illness. Perhaps I'm worried about whether my strange mood-swings have something to do with bi-polarness or just plain depression. I don't think I'm depressed but then haha hypochondriac. Maybe what I'm in love with is the tragedy of the whole thing. How the meds that were keeping him sane were the ones that killed him after all. How not long after he died they found a way to replace(repair?) a faulty heart without doing a transplant. Maybe it's the fact that smoking was one of the factors that caused his death on it just hit too close to home with me since most of my family members smoke. I'm worried...nothing that I will admit out loud though. See? Damn it! A review of Sherlock Holmes also can turn emo. Sigh....
What I've felt
What I've known
Never shined through in what I've shown
Never be
Never see
Won't see what might have been
Klar. I think I'll stop here now. There's more that I should say but nah I think this is enough. Can't wait till the Sherlock Holmes sequel comes out. Right now I have to settle for watching all RDJ and Jude Law's old movies and catching up with the Sherlock Holmes Granada series. Goodnight everyone and thanks for reading. So sorry for the long break. Ciao.
What I've felt
What I've known
Never shined through in what I've shown
Never free
Never me
So I dub thee UNFORGIVEN
PS Check out this group called 'Gregorian''. I think they're monks. Haha wierd I know but I like their chanting. They even changed some of the songs like Boulevard of Broken Dreams, Unforgiven, Tears in Heaven etc. Check them out.
whoa, whoa
Never Free
Never Me
So I dub thee UNFORGIVEN
You labeled me
I'll label you
So I dub thee UNFORGIVEN
PSS A special thanks and a shout-out to Debbie. If not for your comment today in Rock Cafe, I would never have finished this post. That was a nice thing to say but now I'd probably stress out about whether my blog is good enough. I don't think my blog is as good as you say, I'm just writing what I feel. Again thanks alot.
Never Free
Never Me
So I dub thee UNFORGIVEN
You labeled me
I'll label you
So I dub thee UNFORGIVEN
Never Free
Never Me
So I dub thee UNFORGIVEN
Thursday, February 18, 2010
Monday, February 08, 2010
Women of Silk River
I'm turning my back on this life for as long as I can,
Someone make me star 'cause I sure as hell can't be a man,
I'm too fragile and clever you know
And this universe just leaves me cold
I'm just hanging around here, I'm longing for someone to hold
Ok here's a review. Ok I know I know I promised I'd do one on Sherlock Holmes but...sigh. Maybe when I rewatch it, I promise. Then I shall tell you about how wonderful the movie was until I got into reading one of the most famous literature books of our time and how I got into two actors whom until now I have no idea how they slipped past my radar. Then I shall also tell you about a man I should have discovered long ago and how he for no reason at all brought out a strange inspiration in me. (Sorry sleepy, I know my sentences are not making much sense) I promise I shall get into all this some day soon but not now. Now I have another review to write about a play I watched no more than 2 hours ago.
You always knew didn't you Mother
You always knew as mothers always do
You always knew didn't you Mother
I was a stranger in this world
Ok so basically this play is about the 'amahs' of Malaysia. These are women from China who come to Malaysia and Singapore to escape the war. So the play consists of 4 amahs, their mat salleh mistress and a japanese stranger they found injured. In the sense of acting there isn't much I can complain about. I found the youngest of the four Amahs acting a bit bland but nothing to really complain about. The japanese dude was stiff but so typically of a japanese gentleman of that time so I can't really complain even I can only applaud him. Even when showing remorse for what he has done is done so remarkably stoically and yet the emotion was there. Brilliant. The mat salleh lady too does a wonderful job and even holds the stage when she begins talking to her invisible guests. The amahs all played their roles spectacularly and are pretty convincing in their roles.
This dumb education was never quite part of my plan
So you left me to ruin but I'll always know who I am
I'm too fragile and clever you see
And your universe just leaves me cold
I'm just hanging around here, I'm longing for someone to hold
Ok plot. Erm...well paced I guess. It wasn't too slow nor too rushed. It let the characters develop in their own time without killing the story. Wasn't too keen on the ending though. It just seemed to...abrupt. I mean it was a good ending, served it's purpose but it ended at the climax. Just as things were beggining to get fun. BAM! The end. Not my choice ending. There are some loose ends that just weren't tied up. Maybe they want the audience to figure it out themselves but...too loose if you ask me. For example the father of the baby. I mean the hints were all there I mean I could figure it out no big deal but without throwing any real light on it, it just lost it's purpose. I mean the identity of the father of the child just shed light on so many matters and gave a deeper personality to some characters but without really addressing it some people might have missed it and it was just lost. There was also a part where the 'head' amah wrote a letter to her friend in China telling her it was her last letter and she will explain why when she goes home. Wait what? After that she never shows any interest in returning to China (and the letter does sound like a suicide note which of course she hints nothing at) so what was the point of that line? Yes the letter explained her feelings but that line was so out of place. I mean this is not a movie; this is a play and every line counts even if it is meant for a comedic purpose. So what was that line for? Did I miss something?
You always knew didn't you Mother
You always knew as mothers always do
You always knew didn't you Mother
I was a stranger in this world
Hmm ok characters. I think that the British lady was a rather believable character. She reminds me so much that lady in Naukar, our English literature short story. She doesn't dwell on her homeland but she isn't used to Malaya that much is certain. She is so believable and there is little I can say I don't like about her. She is patient with the amahs which in any chinese family they would have probably been beaten or scolded. Even when she decides to cheat on her husband you can't help but root for her. The Japanese man played a rather small role in the story and had very little development but again, very believable. He is instantly likable and there is an endearing quality to him. The best thing about the amahs is that you can see where they are all coming from. I think that by using 'chieh' to call each other makes the bond between them so very believable. I find it pretty interesting that the 'head' amah is Catholic and pretty banana-like and yet she is the one who has such a firm hold on old traditions. The second and third Amahs are mainly comic relief I guess. I mean they do have their own characters but their stories are made to be pretty funny. The third's character becomes pretty annoying after awhile (since in the later part of the show she keeps repeating the same lines). The youngest is so believable and yet you just become so annoyed with her. In some ways she's pretty Mary-Sueish but the fact that the spotlight is hardly on her makes her more human and less annoying.
Whoever told you that these were the days of our lives?
The sweet boys they crumble, and the wicked ones rise and survive
And they're running our lives, yes they're running our lives
The lighting for the play was awesome. Of course I havent' watch any/many plays so I wouldn't know how it's supposed to work but yea the lighting was brilliant. Just the simple things changed alot and even the music suited wonderfully. My only complaint was at the ending of the play where things were beggining to be a little dramatic I think they overdid the music. I mean it was so hard to hear the characters talk and it seemed more like bombings was occuring. (Whether it really was I wouldn't know but they hinted nothing really) I think slightly less dramatic would have been nice. I think how they added Cantonese into the drama worked out nicely and for some reason it was funny every time they did. Though I think that there were parts where they put too much and went over board with it especially the Mandarin parts that non-speakers where a little lost. I realised that half of the audience weren't even chinese speakers so I think they should have found a way to cater for them. Overall good show. I'd definitely recommend it to those who enjoy watching plays. i find it a welcome relief from the action that is flooding the tv screens now and it's nice to watch and enjoy a character-driven drama. Well that's it then. Ciao
You always knew didn't you Mother
You always knew as mothers always do
You always knew didn't you Mother,
I was a stranger in this world
Someone make me star 'cause I sure as hell can't be a man,
I'm too fragile and clever you know
And this universe just leaves me cold
I'm just hanging around here, I'm longing for someone to hold
Ok here's a review. Ok I know I know I promised I'd do one on Sherlock Holmes but...sigh. Maybe when I rewatch it, I promise. Then I shall tell you about how wonderful the movie was until I got into reading one of the most famous literature books of our time and how I got into two actors whom until now I have no idea how they slipped past my radar. Then I shall also tell you about a man I should have discovered long ago and how he for no reason at all brought out a strange inspiration in me. (Sorry sleepy, I know my sentences are not making much sense) I promise I shall get into all this some day soon but not now. Now I have another review to write about a play I watched no more than 2 hours ago.
You always knew didn't you Mother
You always knew as mothers always do
You always knew didn't you Mother
I was a stranger in this world
Ok so basically this play is about the 'amahs' of Malaysia. These are women from China who come to Malaysia and Singapore to escape the war. So the play consists of 4 amahs, their mat salleh mistress and a japanese stranger they found injured. In the sense of acting there isn't much I can complain about. I found the youngest of the four Amahs acting a bit bland but nothing to really complain about. The japanese dude was stiff but so typically of a japanese gentleman of that time so I can't really complain even I can only applaud him. Even when showing remorse for what he has done is done so remarkably stoically and yet the emotion was there. Brilliant. The mat salleh lady too does a wonderful job and even holds the stage when she begins talking to her invisible guests. The amahs all played their roles spectacularly and are pretty convincing in their roles.
This dumb education was never quite part of my plan
So you left me to ruin but I'll always know who I am
I'm too fragile and clever you see
And your universe just leaves me cold
I'm just hanging around here, I'm longing for someone to hold
Ok plot. Erm...well paced I guess. It wasn't too slow nor too rushed. It let the characters develop in their own time without killing the story. Wasn't too keen on the ending though. It just seemed to...abrupt. I mean it was a good ending, served it's purpose but it ended at the climax. Just as things were beggining to get fun. BAM! The end. Not my choice ending. There are some loose ends that just weren't tied up. Maybe they want the audience to figure it out themselves but...too loose if you ask me. For example the father of the baby. I mean the hints were all there I mean I could figure it out no big deal but without throwing any real light on it, it just lost it's purpose. I mean the identity of the father of the child just shed light on so many matters and gave a deeper personality to some characters but without really addressing it some people might have missed it and it was just lost. There was also a part where the 'head' amah wrote a letter to her friend in China telling her it was her last letter and she will explain why when she goes home. Wait what? After that she never shows any interest in returning to China (and the letter does sound like a suicide note which of course she hints nothing at) so what was the point of that line? Yes the letter explained her feelings but that line was so out of place. I mean this is not a movie; this is a play and every line counts even if it is meant for a comedic purpose. So what was that line for? Did I miss something?
You always knew didn't you Mother
You always knew as mothers always do
You always knew didn't you Mother
I was a stranger in this world
Hmm ok characters. I think that the British lady was a rather believable character. She reminds me so much that lady in Naukar, our English literature short story. She doesn't dwell on her homeland but she isn't used to Malaya that much is certain. She is so believable and there is little I can say I don't like about her. She is patient with the amahs which in any chinese family they would have probably been beaten or scolded. Even when she decides to cheat on her husband you can't help but root for her. The Japanese man played a rather small role in the story and had very little development but again, very believable. He is instantly likable and there is an endearing quality to him. The best thing about the amahs is that you can see where they are all coming from. I think that by using 'chieh' to call each other makes the bond between them so very believable. I find it pretty interesting that the 'head' amah is Catholic and pretty banana-like and yet she is the one who has such a firm hold on old traditions. The second and third Amahs are mainly comic relief I guess. I mean they do have their own characters but their stories are made to be pretty funny. The third's character becomes pretty annoying after awhile (since in the later part of the show she keeps repeating the same lines). The youngest is so believable and yet you just become so annoyed with her. In some ways she's pretty Mary-Sueish but the fact that the spotlight is hardly on her makes her more human and less annoying.
Whoever told you that these were the days of our lives?
The sweet boys they crumble, and the wicked ones rise and survive
And they're running our lives, yes they're running our lives
The lighting for the play was awesome. Of course I havent' watch any/many plays so I wouldn't know how it's supposed to work but yea the lighting was brilliant. Just the simple things changed alot and even the music suited wonderfully. My only complaint was at the ending of the play where things were beggining to be a little dramatic I think they overdid the music. I mean it was so hard to hear the characters talk and it seemed more like bombings was occuring. (Whether it really was I wouldn't know but they hinted nothing really) I think slightly less dramatic would have been nice. I think how they added Cantonese into the drama worked out nicely and for some reason it was funny every time they did. Though I think that there were parts where they put too much and went over board with it especially the Mandarin parts that non-speakers where a little lost. I realised that half of the audience weren't even chinese speakers so I think they should have found a way to cater for them. Overall good show. I'd definitely recommend it to those who enjoy watching plays. i find it a welcome relief from the action that is flooding the tv screens now and it's nice to watch and enjoy a character-driven drama. Well that's it then. Ciao
You always knew didn't you Mother
You always knew as mothers always do
You always knew didn't you Mother,
I was a stranger in this world
PS Can't believe I've never mentioned about Taboo until now. This is Stranger in this World which is sang by 'Boy George' the main(?) character of Taboo. It's a really lovely song. If you've never heard about it you should check it out. Watch the West End one and NOT Broadway. Rosie O' Donell spoiled Taboo. Ciao again
On a clear day, I can see myself for miles
Oh Mother, oh Mother
On a clear day
Oh Mother, Oh Mother, Oh Mother...
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